Ysabel LeMay

"Lumines, 2013"

Epson Glossy for plexi face-mounting

Hahnemuhle Photo Rag Baryta for traditional framing
63" x 59"
Limited Edition of 5

$8,400

"Celestre, 2017"

Epson Glossy for plexi face-mounting

Hahnemuhle Photo Rag Baryta for traditional framing
59" x 59"
Limited Edition of 5

$7,800

"Wander, 2014"

Epson Glossy for plexi face-mounting

Hahnemuhle Photo Rag Baryta for traditional framing

32" x 96"
Artist Proof Edition of 3

$9,800

"Eden III, 2017"

Epson Glossy for plexi face-mounting

Hahnemuhle Photo Rag Baryta for traditional framing

59" x 59"
Limited Edition of 5

$7,800

"Passing By, 2011"

Epson Glossy for plexi face-mounting

Hahnemuhle Photo Rag Baryta for traditional framing

59" x 59"
Limited Edition of 5

$7,800

Since winning the New York KiptonART 2011 Rising Stars Program, the work of Austin, Texas-based artist Ysabel LeMay has seen more than 115 exhibitions around the globe and has been acquired for the corporate collections of Chevron, Bloomingdale’s and Bacardi, and the permanent collections at Museum of Photographic Arts and the Morris Museum.

 

In 2013, Ysabel LeMay participated in the Texas Biennial and in 2015, she represented Texas at the fourth edition of Women to Watch in Washington, D.C. In 2017, LeMay held a solo retrospective show at the Morris Museum in Morristown, New Jersey. In 2018, she was a visiting instructor at the Santa Fe Photographic Workshop in New Mexico.

 

Growing up in Quebec, Canada, Ysabel LeMay fastened her connection to the natural world at her family’s cottage in the northern wilderness of the province. But it was the jungle of the advertising world where Ysabel LeMay honed her visual expression. After 15 years in the industry, she sought a more rewarding path for her creativity, refocusing initially on painting and then photography.

 

While her technique is high-tech, Ysabel LeMay’s hypercollage process sees her traveling the globe on photographic expeditions, accumulating vast reserves of natural imagery. These she studiously reviews, extracting elements according to her intuition and assembling them into baroque tableaux venerating the undeniable majesty and generosity of nature.

 

Ysabel LeMay has brought her hypercollages to a place where they now serve as records of natural splendor perpetually in motion – as expressed by an artist who herself shows no interest in standing still.

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